The Digital Color

Mondrian and Computer Art.

Authors

  • Raphael Francisco da Silva Universidade Estadual do Paraná, Curitiba, PR, Brasil

DOI:

https://doi.org/10.33871/21750769.2022.15.1.6936

Keywords:

Imagem digital, Arte Digital, Cor, Computer Art, Pintura

Abstract

This article intends to establish relationships with artists from different periods of the 20th century from the concept of digital color through a stylistic bias rather than an understanding of the medium or platform, as proposed by the author Carolyn Kane in the light of Gilles Deleuze. In this way, it is intended to illustrate from the compositions of Piet Mondrian, Hiroshi Kawano and Waldemar Cordeiro the possibilities of arts conceived and/or realized from digital concepts partially or totally independent of technological devices, which can consequently establish hybrid relationships between art, science and technology. To reinforce the understanding of the concept of digital colorism proposed by the author, a brief distinction between digital and analog devices was necessary, as well as an introduction to additive color systems and subtractive color systems. As a complementary theoretical references and to better illustrate Kane's models, Arlindo Machado (2013) and texts by the artists themselves presented in this article are mainly used.

Downloads

Download data is not yet available.

Author Biography

Raphael Francisco da Silva, Universidade Estadual do Paraná, Curitiba, PR, Brasil

Artista visual paulista radicado em Curitiba desde 2008. 

As poéticas de seus trabalhos transitam nas interseções entre pintura abstrata, arte computacional, vídeo e código

Formado em Licenciatura em Artes Visuais pela EMBAP – UNESPAR – 2015
Mestrando em Poéticas Visuais no PPG Artes Unespar Curitiba - Turma de 2021

Downloads

Published

2022-12-15

How to Cite

Francisco da Silva, R. (2022). The Digital Color: Mondrian and Computer Art. O Mosaico, 15(1), 227–242. https://doi.org/10.33871/21750769.2022.15.1.6936

Issue

Vol. 15 No. 1 (2022): Revista O Mosaico nº 23

Section

SEÇÃO – ARTIGOS OUTROS TEMAS

License

Copyright (c) 2022 O Mosaico

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The authors retain the copyright, when licensing their production in the journal O Mosaico, which is licensed under a Creative Commons license. When submitting the work, and upon acceptance, the author assigns his/her copyright for publication in the journal. Readers can download, print and use the articles published in the journal, as long as there is always an explicit mention to the author (s) and to the O Mosaico, and no changes to the original work are allowed. When submitting an article to the journal O Mosaico and after accepting it for publication, the authors allow, without remuneration, to pass the following rights to the journal: the first edition rights and the authorization for the editorial team to transfer, according to their judgment, this article and its meta data to indexing and reference services.