AUDIO DESCRIPTION AS A POETIC RESOURCE IN STAGE CREATION

PERSPECTIVES ON ACCESSIBILITY BASED ON THE PERFORMANCE BICHO GENTE

Authors

DOI:

https://doi.org/10.33871/21750769.2025.21.2.10979

Keywords:

Audio description, Scene, Accessibility

Abstract

The text seeks to present a reflection on the proposal for the creation of the performance Bicho Gente, developed in curricular disciplines in a Bachelor's Degree in Theater. The focus of the study is the investment in research on audio description on stage, in a poetic way. In the analysis of the creation, it was possible to identify two ways in which audio description is present on stage, being performed by the actresses only in some situations and, in a second moment, being present throughout the entire performance based on the real-time description performed by the director. The aim is to stimulate reflection on accessibility in the field of Performing Arts, in defense of its presence since the beginning of the formative process, and to share practical possibilities for the use of accessibility resources that become poetic resources through the investment of the artists in the creative process.

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Author Biographies

Marcia Berselli, Universidade Federal de Santa Maria (UFSM)

Professora Adjunta no Departamento de Artes Cênicas da Universidade Federal de Santa Maria (UFSM). Doutora em Artes Cênicas pela Universidade Federal do Rio Grande do Sul (PPGAC/UFRGS). Líder do Grupo de Pesquisa Teatro Flexível: Práticas cênicas e acessibilidade (CNPq/UFSM) e do Laboratório de Criação (LACRI/CNPq). Coordenadora do Programa de Extensão Práticas cênicas para todos os corpos. Orcid: https://orcid.org/0000-0002-2731-1373 Lattes: http://lattes.cnpq.br/0739122615811316 E-mail: bersellimarcia@gmail.com

Vanessa de Oliveira dos Santos Peixoto, Universidade Federal de Santa Maria

Acadêmica do Curso de Licenciatura em Teatro da Universidade Federal de Santa Maria (UFSM). Bolsista de Iniciação Científica junto ao Grupo de Pesquisa Teatro Flexível: práticas cênicas e acessibilidade (CNPq/UFSM), com bolsa PIBIC/CNPq desde o ano de 2023. Orcid: https://orcid.org/0009-0009-2755-8446 Lattes: http://lattes.cnpq.br/0694848440710041 E-mail: vanessa.peixoto@acad.ufsm.br

Livia de Arruda Marafiga, Universidade Federal de Santa Maria

Acadêmica do Curso de Bacharelado em Artes Cênicas - habilitação em Atuação Teatral - da Universidade Federal de Santa Maria (UFSM). Bolsista de Iniciação Científica junto ao Grupo de Pesquisa Teatro Flexível: práticas cênicas e acessibilidade (CNPq/UFSM), com bolsa PIBIC/CNPq desde o ano de 2024. Orcid: https://orcid.org/0009-0005-6292-4318 Lattes: http://lattes.cnpq.br/2724716283359038 E-mail: livia.marafiga@acad.ufsm.br

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Published

2025-12-01

How to Cite

Berselli, M., de Oliveira dos Santos Peixoto, V., & de Arruda Marafiga, L. (2025). AUDIO DESCRIPTION AS A POETIC RESOURCE IN STAGE CREATION: PERSPECTIVES ON ACCESSIBILITY BASED ON THE PERFORMANCE BICHO GENTE. O Mosaico, 21(2), 1–24. https://doi.org/10.33871/21750769.2025.21.2.10979

Issue

Vol. 21 No. 2 (2025): Revista O Mosaico No. 29

Section

Em Fluxo

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