The Woman Rural Worker in Marlene França's Mulheres da Terra (1985)

Authors

DOI:

https://doi.org/10.33871/21750769.2025.21.2.10828

Keywords:

Women's Cinema, Brazilian Cinema, Documentary, Rural workers, Boia-fria

Abstract

Considering the political context and the cinematographic representations of working women in the 1980s in Brazil, this article aims to analyze the figure of the rural worker in the documentary Mulheres da Terra (Women of the Land, 1985), directed by Marlene França. Made at a time when the agrarian reform debate was regaining momentum and rural women's movements were reorganizing, the film pays homage to and encourages the political articulation of the "boias-frias" in the struggle for land ownership, while at the same time denouncing both the precarious working conditions in the sugarcane field and those that are presented as specific to working women. The result is a sensitive and complex portrait of the “boias-frias" as a revolutionary collective, intertwining class, gender and political resistance.

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Author Biography

Hanna Henck Dias Esperança, Universidade Estadual do Paraná

Doutoranda no Programa de Pós-Graduação em Meios e Processos Audiovisuais da Universidade de São Paulo (ECA/USP), onde desenvolve a pesquisa O cinema de Olga Futemma: trajetória de uma experiência entre culturas, financiada pela bolsa FAPESP n. 2021/11712-8 e orientada pela Profa. Dra. Esther Hamburger. Orcid: https://orcid.org/0000-0001-7636-9662 Lattes: https://lattes.cnpq.br/7603418128688152 E-mail: hanna.esperanca06@gmail.com

Published

2025-12-01

How to Cite

Dias Esperança, H. H. (2025). The Woman Rural Worker in Marlene França’s Mulheres da Terra (1985). O Mosaico, 21(2), 1–28. https://doi.org/10.33871/21750769.2025.21.2.10828

Issue

Section

Dossiê Arte, Cultura e Reforma Agrária Popular