Listening after nature? Field recording in flux.

Authors

DOI:

https://doi.org/10.33871/23179937.2023.11.2.7637

Keywords:

recording, presence, post-human, process, ecology

Abstract

What are the inherent ethical, political, and conceptual challenges in field recording? The answer to these questions guides Listening after nature: field recording, ecology, critical practice by Mark Peter Wright. The following review, in addition to detailing some of the text's main themes, exalts the books inherent pedagogical ethos. Particularly, its offering of other creative approaches to the process of recording sound in the field.

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Author Biography

Rui Miguel Paiva Chaves, Universidade Federal da Paraíba

Rui Chaves is a sound artist, curator, and researcher. From 2015-2018, he was a postdoctoral researcher at NuSom (University of São Paulo) with a project focusing on creating an online archive of Brazilian sound art. In 2019, he co-edited with Professor Fernando Iazzetta the volume Making it Heard: A History of Brazilian Sound Art. Currently, he is a visiting lecturer at the Federal University of Paraiba visual arts department (2020-2024).

References

WRIGHT, Mark Peter. Listening After Nature: Field Recording, Ecology, Critical Practice. New York: Bloomsbury Academic, 2022. DOI: https://doi.org/10.5040/9781501354540

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Published

2023-07-14

How to Cite

Paiva Chaves, R. M. (2023). Listening after nature? Field recording in flux. Vortex Music Journal, 11(2), 1–5. https://doi.org/10.33871/23179937.2023.11.2.7637

Issue

Vol. 11 No. 2 (2023): Vortex Music Journal

Section

Review

License

Copyright (c) 2023 Rui Miguel Paiva Chaves

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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