Historicized Composition and Creative Ethnomusicology
This paper investigates relationship between compositional and ethnomusicological research. The method of historicized composition developed out of my work as a chant scholar, as ongoing ethnomusicological research has had a profound influence on my compositional work. Understanding and underscoring historical and phenomenological relationships between music and language, the act of composition becomes a creative discovery of relationships between musical material and music history.
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