Petricor

a paisagem como parte do processo de criação

Authors

DOI:

https://doi.org/10.33871/sensorium.2024.11.9703

Abstract

This article aims to reflect on a set of graphic images, developed from dialogue with the landscape. To structure the research, we employed the art research methodology, which considers the constant relationship between theory and artistic practice (Rey, 1996; 2002). As key for analysis, the concept of landscape in the Visual Arts, present in the development of prints, is mainly based on the discussions of Ferreira (2000), Maderuelo (2010), La Pastina (2022) and Meira (2000). In addition, when analyzing the creation process, Resende (2000), Krauss (1986) and Buti (1996) contribute to the contextualization of contemporary artistic graphic production. Based on this framework, singularities can be seen in decision-making when creating large-format prints.

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Author Biography

Renato Torres, UNESPAR, Campus Curitiba I - EMBAP

Licenciatura em desenho pela Escola de Música e Belas Artes do Paraná, Bacharelado em Gravura pela Escola de Música e Belas Artes do Paraná, Mestrado em Educação pela Universidade Tuiuti do Paraná, Doutorado em Educação pela Universidade Federal do Paraná, na linha de História e Historiografia da Educação. Líder do grupo de pesquisa Gravura Contemporânea: reflexões e processos de criação - GRACON na UNESPAR/EMBAP.

Leonor Botteri - Óleo sobre tela

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Published

2024-11-28

Issue

Vol. 11 (2024): Art&Sensorium

Section

Dossier: Engraving poetics: processes, contaminations and connections

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Copyright (c) 2024 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

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