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Technological archaeology as a research methodology in printmaking

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DOI:

https://doi.org/10.33871/sensorium.2024.11.9392

Abstract

The article discusses the concept of printmaking technological archaeology as a methodological process in research and teaching. It examines the origins of a concept that has become part of the academic and artistic activities at the Faculty of Fine Arts of the University of Porto (FBAUP), highlighting the fact that certain graphic processes are not introduced into the workshop space, either due to systematic and historical erasure, or due to a lack of willingness to make correlations with processes used in a commercial, industrial and/or artisanal way, to the detriment of a dogmatic tradition that still exists in the arts.

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Author Biographies

Graciela Machado, University of Porto, Faculty of Fine Arts, Institute for Research in Art, Design and Society (i2ADS)

Graciela Machado é Professora Associada da Faculdade de Belas Artes da Universidade do Porto (FBAUP) e pesquisadora integrada do Instituto de Investigação em Arte, Design e Sociedade (i2ADS). Formou-se em Pintura em Belas Artes (FBAUP) e fez mestrado em Gravura na Slade School of Fine Art de Londres. É Doutora em Desenho pela Universidade do País Basco, na Espanha, CV Ciência Vitae

Paula Almozara, Pontifícia Universidade Católica de Campinas

Paula Almozara é artista visual, professora e pesquisadora. Realizou Pós-Doutoramento pela Faculdade de Belas-Artes da Universidade do Porto (PT) com apoio da Fapesp – Bolsa de Pesquisa no Exterior – BPE processo no. 2021/13582-4. Doutora em Educação e Mestre em Artes pela Unicamp.

Leonor Botteri - Óleo sobre tela

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Published

2024-11-28 — Updated on 2024-11-29

Versions

Issue

Vol. 11 (2024): Art&Sensorium

Section

Dossier: Engraving poetics: processes, contaminations and connections

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Copyright (c) 2024 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

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