Technological archaeology as a research methodology in printmaking

Authors

DOI:

https://doi.org/10.33871/sensorium.2024.11.9392

Abstract

The article discusses the concept of printmaking technological archaeology as a methodological process in research and teaching. It examines the origins of a concept that has become part of the academic and artistic activities at the Faculty of Fine Arts of the University of Porto (FBAUP), highlighting the fact that certain graphic processes are not introduced into the workshop space, either due to systematic and historical erasure, or due to a lack of willingness to make correlations with processes used in a commercial, industrial and/or artisanal way, to the detriment of a dogmatic tradition that still exists in the arts.

Downloads

Download data is not yet available.

Author Biographies

Graciela Machado, University of Porto, Faculty of Fine Arts, Institute for Research in Art, Design and Society (i2ADS)

Graciela Machado é Professora Associada da Faculdade de Belas Artes da Universidade do Porto (FBAUP) e pesquisadora integrada do Instituto de Investigação em Arte, Design e Sociedade (i2ADS). Formou-se em Pintura em Belas Artes (FBAUP) e fez mestrado em Gravura na Slade School of Fine Art de Londres. É Doutora em Desenho pela Universidade do País Basco, na Espanha, CV Ciência Vitae

Paula Almozara, Pesquisadora independente

Paula Almozara é artista visual, professora e pesquisadora. Realizou Pós-Doutoramento pela Faculdade de Belas-Artes da Universidade do Porto (PT) com apoio da Fapesp – Bolsa de Pesquisa no Exterior – BPE processo no. 2021/13582-4. Doutora em Educação e Mestre em Artes pela Unicamp.

Leonor Botteri - Óleo sobre tela

Downloads

Published

2024-11-28 — Updated on 2024-12-01

Versions

Issue

Vol. 11 (2024): Art&Sensorium

Section

Dossier: Engraving poetics: processes, contaminations and connections

License

Copyright (c) 2024 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).