"RUPTURE OF THE INVISIBLE"

THE ART OF SÉRGIO ADRIANO H AND HIS CONTRIBUTIONS TO THE RACIAL DEBATE

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DOI:

https://doi.org/10.33871/23580437.2023.10.01.56-66

Abstract

This article analyzes the artistic intervention “Ruptura do Invisível”, a photoperformance by the artist Sérgio Adriano H, carried out in an urban space. It is our objective to understand the power of this work for tensioning ethnic-racial relations in Brazilian society. Discussions are carried out in dialogue with the contributions of Nicolas Bourriaud, Mikhail Bakhtin, Achille Mbembe, among other authors. As a result, we saw that the work invests in the production of approaches and collective experiences that problematize racism in urban contexts. It thus configures itself as a device that, by provoking affections in people who are related to the work of art, contributes to making visible and tensioning the regimes that sustain ethnic-racial inequalities in Brazilian society.

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Author Biographies

Orlando Afonso Camutue Gunlanda, Universidade Federal de Santa Catarina

Doutorando em Psicologia no Programa de Pós-Graduação em Psicologia da Universidade Federal de Santa Catarina (UFSC).

Andréa Vieira Zanella, Universidade Federal de Santa Catarina

Docente Permanente do Programa de Pós-Graduação em Psicologia da Universidade Federal de Santa Catarina (UFSC), Florianópolis, SC. Professora aposentada da mesma instituição, bolsista em produtividade do CNPq.

Crimes of Love (Common Sense) Hans Bellmer, 1961

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Published

2023-06-23

Issue

Vol. 10 No. 01 (2023): Art&Sensorium Vol.10 N°01

Section

Artigos

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Copyright (c) 2023 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

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