O DRAMA WAGNERIANO E O PAPEL DE ADOLPHE APPIA EM SUAS TRANSFORMAÇÕES CÊNICAS
DOI:
https://doi.org/10.33871/19805071.2009.4.1.1597Abstract
Este trabalho aborda inovações teorizadas e propostas para a ópera de Richard
Wagner (1813-1883) com o conceito de Gesamtkunstwerk e a reforma cênica concebida porAdolphe Appia (1862-1928) para o drama wagneriano. Discute-se o papel igualitário dasdiversas formas artísticas na ópera de Wagner e a hierarquização feita por Appia. Finalmente,realiza-se uma comparação entre cenografias tradicionais para Parsifal de Wagner e aspropostas de Appia para a mesma obra.
PALAVRAS-CHAVE: Wagner e Appia, Gesamtkunstwerk, cenografia na ópera.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
The authors retain the copyright, when licensing their production in Revista Científica/FAP, which is licensed under a Creative Commons license. When submitting the article, and upon acceptance, the author assigns his copyright for publication in that journal.
Readers can download, print and use the articles published in the journal, as long as there is always an explicit mention of the author (s) and the Revista Científica/FAP, no changes to the original work are allowed. When submitting an article to Revista Científica/FAP and after its being accepted for publication, the authors allow, without remuneration, to pass the following rights to the Journal: the first edition rights and the authorization for the editorial team to transfer, according to their judgment, this article and its metadata to indexing and reference services.
