O GESTO ENTRE DOIS UNIVERSOS: A NOÇÃO DE GESTUS NO TEATRO DE BERTOLT BRECHT E NO CIMENA DOS CORPOS DE GILES DELEUZE
DOI:
https://doi.org/10.33871/19805071.2009.4.1.1594Abstract
Este artigo pretende trabalhar a noção de Gestus no encontro entre o teatro de
Bertolt Brecht e o cinema dos corpos de Gilles Deleuze. Enquanto para Brecht o Gestus ésocial, para Deleuze ele é igualmente estético, musical e pictórico. Entretanto, as duasnoções dizem respeito ao corpo e seus gestos suspenso entre dois universos díspares, emum casamento contra-natura. Mostraremos que essa indecidibilidade é a essência de umteatro que afirma as multiplicidades, resistindo aos modelos canônicos de representação.
PALAVRAS-CHAVE: gestus, teatro, ritornelo, criação.
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