Traços de Max Beckmann e Naum Gabo na abertura da arte
DOI:
https://doi.org/10.33871/19805071.2010.6.1.1559Abstract
Interpretamos textos do artista germânico Max Beckmann (1884"1950) e do
russo Naum Gabo (1890"1977) com o intuito de estudar os possíveis desdobramentosde uma cultura que se consolida nas vanguardas modernistas e se fortalece até opresente: a dos escritos de artistas. Sublinhamos, nesse sentido, a valorização dosenso de liberdade pessoal e de integração social apontada em obras e discursos.Enfocamos, enfim, o lento processo de abertura do sistema tradicionalmente fechadoda arte, em andamento na atualidade.
Palavras"chaves: comunicação, artes, escrita, abertura.
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