Hiroshima, Mon Amour visto por Paulo Emílio Salles Gomes
DOI:
https://doi.org/10.33871/19805071.2010.6.1.1549Abstract
Hiroshima, mon amour, primeiro longa"metragem de Alain Resnais, causou
polêmicas e ocupou o centro das atenções no ano de 1960 no Brasil. Exemplo disso éo número expressivo de artigos dedicados ao filme, como é o caso de Paulo EmílioSalles Gomes que escreveu sete artigos, sendo seis deles publicados antes mesmo dofilme entrar em circuito comercial no Brasil. Esse artigo visa dialogar com o ponto devista e as impressões do crítico brasileiro a partir desses sete artigos.
Palavras"chave: Crítica de cinema; Paulo Emílio Salles Gomes; Alain Resnais;
Hiroshima Mon Amour.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
The authors retain the copyright, when licensing their production in Revista Científica/FAP, which is licensed under a Creative Commons license. When submitting the article, and upon acceptance, the author assigns his copyright for publication in that journal.
Readers can download, print and use the articles published in the journal, as long as there is always an explicit mention of the author (s) and the Revista Científica/FAP, no changes to the original work are allowed. When submitting an article to Revista Científica/FAP and after its being accepted for publication, the authors allow, without remuneration, to pass the following rights to the Journal: the first edition rights and the authorization for the editorial team to transfer, according to their judgment, this article and its metadata to indexing and reference services.
