The Front Window, or, Hitchcock's Sanction of Voyeurism at Cinema
DOI:
https://doi.org/10.33871/19805071.2011.8.1.1516Abstract
O cinema vem sendo estudado por meio de discussões interdisciplinares incluindo leituras psicanalíticas. Em conformidade com pesquisas sobre cinema e prazer visual, este artigo analisa camadas em que o filme Rear Window de Alfred Hitchcock explora escopofilia e voyeurismo no aparato cinemático. Contemplando pesquisas acerca da obra de Hitchcock esta leitura reconhece uma ligação cúmplice estabelecida entre diretor, personagem principal e espectador, tornando-os todos atores-testemunhas oculares, o que sanciona o filme como emprego evocativo do atributo voyeurístico do cinema.
Palavras-chave: cinema, Hitchcock, voyeurismo, escopofilia.
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