O cinema impuro de Dziga Vertov e Jean-Luc Godard: Uma análise dos filmes Câmera-Olho (1924) e Vento do Leste (1969)
DOI:
https://doi.org/10.33871/19805071.2011.8.1.1515Abstract
Este trabalho tem como objetivo traçar uma comparação crítica entre os filmes Câmera-Olho, de Dziga Vertov e Vento do Leste, de Jean-Luc Godard, considerando o aspecto estético da palavra escrita no espaço diegético de cada um dos filmes.
Palavras-chave: estética cinematográfica, palavra escrita, montagem, cinema político.
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