O ato criativo do ator e o pós-modernismo
DOI:
https://doi.org/10.33871/19805071.2011.8.1.1509Abstract
O texto analisa o fenômeno teatral contemporâneo enquanto expressão pós-moderna na medida em que se constitui em "˜obra aberta' e/ou propositalmente incompleta. Nesse âmbito, as significações correspondem ao fluxo de sentidos marcado pela sobreposição de estruturas na constituição do ato criativo do ator e na interação com o público. Assim, marca-se a passagem do "˜publico observador' para o "˜público participante'.
Palavras-chave: Teatro Contemporâneo, Teoria Teatral, Pós-Modernismo, jogo do ator; fluxo de sentidos
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