Visual Construction of Rio's Little Africa
The Use of Art and Culture in Rescuing Black Memory
DOI:
https://doi.org/10.33871/21750769.2024.19.2.8399Keywords:
Urban Art, Little Africa, Memory, Valongo WharfAbstract
In recent years, especially after the rediscovery of the Valongo Wharf in 2011, the Port Zone of Rio de Janeiro has become a stage for mobilizations aimed at the recovery and valorization of Afro-Brazilian culture. Starting from the artistic expressions that emerge in this specific context and assuming that the right to the city also concerns the right to the urban landscape for those who are constantly rendered invisible, the present work aims to understand the strategies and visual approaches adopted in this locality, which has as one of its central attributes the presence of Black people and their tangible and intangible artifacts. In this sense, this work is interested in the uses and meanings given to these artistic expressions to alter and/or reinforce the narratives of certain groups in the construction of a Little African Rio in the face of the whitening processes common to urban centers.
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