CONTAMINAÇÕES MÁGICAS
(IN)CORPORAÇÕES ATRAVÉS DA LINGUAGEM DA MAQUIAGEM NAS ARTES DA CENA
DOI:
https://doi.org/10.33871/21750769.2023.16.1.7414Keywords:
Makeup, Character, Virtual, Body, Language, MaskAbstract
Through the language of makeup in the contemporary performing arts, I investigate the “magical contaminations” that are constituted by (in)corporations, according to the theory of the media body, by Elena Katz and Cristina Greiner. I consider makeup as a parasite with varying levels of contamination in the body, be it animate or inanimate. As well as a hybrid artistic visual “polyphonic” language, according to Ernani Maletta’s study of polyphony, from which plastic personas proliferate and reverberate their voices, revealing complex layers that constitute virtuality and materiality, between concepts of the update, of the possible and of memory. In addition, from the perspective of esotericism, I address the processes of (in)corporations and relate their origins, symbols, rituals, masks and objects with the archaic in contemporary times, the developments, the multiplicities that cross the body. I analyze the tensions with between the mask and makeup in the contamination process.
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