MACHETAZO: THE RABECA AND THE SHAPES OF FIRE
a rabeca e as formas do fogo
DOI:
https://doi.org/10.33871/21750769.2023.17.2.8238Keywords:
Improvisação, Música Experimental, Nelson da Rabeca, Gordon Mumma, Henry FlyntAbstract
This essay stems from an experience of artistic practice and consequent theoretical reflection, from the encounter and use of an instrument produced by Nelson da Rabeca for free improvisation. To understand a little how a perspective that sees popular practice as having an experimental and improvisational potential in itself, of a latent formal depth, would be compared different views on the relationship between the avant-garde and the popular that developed in the cultural scene of the avant-garde post-Cage in the United States, based on two essays produced by artists: “Witchcraft, Cybersonis and Folcloric Virtuosity” by Gordon Mumma and excerpts from “The Meaning of my Avant-garde Hillibilly and Blues Musc” by Henry Flynt, to be read as equals in front of the object-thought that is Seu Nelson's fiddle. In the end, we will also discuss some elements brought by Derek Bailey about the role of the instrument-as-ally in improvisation, and the potential of the “non-idiomatic” call as an expression of a creative impulse-desire that permeates both improvisation and “do it with your own hands” of popular culture.
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