APOTHEKE/DEWEY AND THE PAINTED THOUGHT AS INVESTIGATIVE AND FORMATIVE ACTION

Authors

DOI:

https://doi.org/10.33871/23580437.2023.10.01.166-173

Abstract

The text presents reflections on the construction of pictorial thinking, in the midst of the painting studio and the development of aesthetic practice of the teaching artist, situated in the investigative context of the Painting Studio Group Apotheke. The thinking of painting comes from thinking together, with, in the midst of painting and not only about it, involving itself with different elements that constitute it, material and immaterial, theoretical and practical. I present possible dialogues carried out in the investigative and formative sphere, as a way to experience the painting atelier together with the concept of the investigating artist-teacher, who feeds on the movements that take place between artistic and pedagogical practices to reinvent himself, in order to transgress teaching as a subject in the practice of himself. The explanations reflect the investigative and pedagogical experiences carried out by the author during the formative period of the Graduate Program in Visual Arts in the painting studio.

Downloads

Download data is not yet available.

Author Biography

Marta Lucia Cargnin Facco, Universidade do Estado de Santa Catarina/UDESC

Doutoranda em Artes Visuais pela UDESC/PPGAV; Mestre em Artes Visuais pela UDESC; Graduada em Desenho e Plástica pela UFSM/RS. Integrante do Grupo de Pesquisa Entre Paisagens – UDESC/CNPq; membro do Projeto de Ensino e Extensão Estúdio de Pintura Apotheke – UDESC/CEART, do Grupo de Estudos Estúdio de Pintura Apotheke – UDESC/CEART (https://www.apothekeestudiodepintura.com) e do Projeto de Pesquisa "O estúdio de pintura como laboratório de ensino e aprendizado em Artes Visuais" – UDESC/CNPq, todos coordenados pela Profa. Dra. Jociele Lampert. Integra também a equipe editorial da Revista Apotheke UDESC/PPGAV (ISSN 2447-1267) (http://www.revistas.udesc.br/index.php/APOTHEKE). Seu eixo de pesquisa reflete sobre a formação em Artes Visuais, considerando como norteadores: o processo criativo, a experiência e os documentos de trabalho. Sua produção poética é composta de uma linguagem pictórica hí­brida, em que a materialidade da pintura se constrói por meio da contaminação com os objetos presentes no espaço de criação.

Crimes of Love (Common Sense) Hans Bellmer, 1961

Downloads

Published

2023-06-23

Issue

Vol. 10 No. 01 (2023): Art&Sensorium Vol.10 N°01

Section

Artigos

License

Copyright (c) 2023 International Interdisciplinary Journal of Visual Arts - Art&Sensorium

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.

Authors who publish with this journal agree to the following terms:
  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).