"Performance as embodied thinking": Interviewing Marilyn Arsem

INTERVIEW WITH MARILYN ARSEM

Authors

DOI:

https://doi.org/10.33871/19805071.2023.28.1.7452

Keywords:

Performance, Art, Aesthetic Thinking, Creative Process, Experiment

Abstract

Marilyn Arsem, performance artist and former professor at the School of the Museum of Fine Arts, Boston (SMFA), talks about her experiences and learnings in more than forty years of practicing and teaching performance, both institutionally and in workshops throughout the world. By following her thoughts, it is possible to understand a little more about Arsem’s creational and creative processes which, in our understanding, depart more from a genuine impetus of investigating and experimenting with reality and in the present moment’s tessitura than from creating performances whose developments and objectives are somehow already conceived.

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Author Biography

Izis Tomass, Universidade Federal de Minas Gerais

Doutoranda em Filosofia (UFMG). Mestre e graduada em Filosofia (UFPR). Membro do Grupo de Trabalho e de Pesquisa Histórias das Filosofias IFPR (CNPQ). Membro do "The Renaissance Society of America (FORDHAM): Writing Exchange Group". Coordenadora do Núcleo de Filosofia do Corpo e Movimento (PhiCoMov). Tradutora associada à Universidade de Michigan (UMICH) através do "The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project". 

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Published

2023-06-30

How to Cite

TOMASS, I. "Performance as embodied thinking": Interviewing Marilyn Arsem: INTERVIEW WITH MARILYN ARSEM. Revista Cientí­fica/FAP, Curitiba, v. 28, n. 1, p. 504–535, 2023. DOI: 10.33871/19805071.2023.28.1.7452. Disponível em: https://periodicos.unespar.edu.br/index.php/revistacientifica/article/view/7452. Acesso em: 17 may. 2024.

Issue

Vol. 28 No. 1 (2023): Dossiê Estética do Corpo e do Movimento: incursões no campo das artes

Section

Entrevistas

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