Interculturality and Modernism
Week of 22 and the quarrel of modern art.
DOI:
https://doi.org/10.33871/23580437.2023.10.2.16-24Abstract
Abstract: In this article, we intend to discuss an issue raised by Carlos Zílio in his book Querela do Brasil, in which he critically reflected on Brazilian art and its identity. Taking this initial motto into account, the relationship between the modern aesthetic model that had been developing in Europe and the modernist proposal of the 1922 Modern Art Week to adapt this influence will be observed, to escape the ethnocentric vision that contaminated the imagination of culture. Brazilian. Understanding art, in this case, less as a matter of style and more as a means of communication, it seeks to reflect on the strategy of the Week of Modern Art of 1922 to adapt the influence of an external cultural model, as a possible inspiration for actions that could impose themselves on the ethnocentric tendency of introducing artificial and imported cultural models through the use of the media.
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