Life, Creation and Time of Leonardo da Vinci
DOI:
https://doi.org/10.33871/23580437.2022.9.2.51-78Abstract
This article approaches the creative trajectory of Leonardo Da Vinci, as an example of what Eugenio Garin called the Renaissance man, based on the concepts of field and habitus proposed by Bourdieu, in order to understand the relationship between the individual, his social environment and the historical conditions in which he acted. Thus, a rereading of his creative trajectory was made, confronting Vasari's concept of genius (from Da Vinci's own time) and Norbert Elias's, which allowed us to see man beyond the myth through the changing ways of perceiving the creative phenomenon.
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