Subversão:
Reflexões sobre assimetrias de gênero por meio da prodção artística em cerâmica
DOI:
https://doi.org/10.33871/23580437.2022.9.2.173-188Abstract
This article is dedicated to the process of creating the series “Mulheres em Pedaços” and “SubVersão”, carried out between 2020 and 2021. The series are composed of sculptures developed from the appropriation of second-line industrial tableware, that were discarded as being cracked, chipped or broken. Other materials such as embroidery threads and ceramics by hand modeling are also used. Having research as the guiding thread for artistic production, the work involves a theoretical investigation that is based on the history of women, transiting in feminist studies, gender studies and self-writing. The report was produced based on notes made in a field diary and photographic records. The text was developed by the artist, under the supervision of her advisor, based on the Final Work to obtain the Degree in Visual Arts at the State University of Paraná, campus II - FAP. The motivation for the development of these works comes from the author's personal experience as a woman, artist, researcher and teacher. Through research and artistic production, gender asymmetries are evidenced, demonstrating the importance of producing records of the experiences of women artists.
Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2022 International Interdisciplinary Journal of Visual Arts - Art&Sensorium
![Creative Commons License](http://i.creativecommons.org/l/by/3.0/88x31.png)
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).