#N canvas 1169 81 520 629 12;
#X obj 10 10 cnv 15 400 40 empty empty Up->Down: 20 12 0 24 -262144
-66577 0;
#X msg 284 163 1;
#X msg 59 237 1;
#X obj 66 283 + 1;
#X floatatom 129 246 5 0 0 0 - - -;
#X obj 161 280 + 1;
#X floatatom 178 312 5 0 0 0 - - -;
#X obj 134 315 + 1;
#X floatatom 98 292 5 0 0 0 - - -;
#X obj 196 228 + 1;
#X floatatom 203 254 5 0 0 0 - - -;
#X obj 284 227 + 1;
#X obj 284 298 + 1;
#X obj 284 366 + 1;
#X obj 284 429 + 1;
#X floatatom 284 263 5 0 0 0 - - -;
#X floatatom 284 334 5 0 0 0 - - -;
#X floatatom 284 399 5 0 0 0 - - -;
#X floatatom 284 468 5 0 0 0 - - -;
#X floatatom 284 194 5 0 0 0 - - -;
#X floatatom 42 311 5 0 0 0 - - -;
#X text 15 81 Because the structure with inlets and outlets \, it's
also nice to organize your patches from up to down. Both examples below
are the same \, but the one to the left is much harder to follow up!
;
#X text 51 526 Being messy or not \, the spatial disposition on the
screen does not influence the order of messages!;
#X connect 1 0 19 0;
#X connect 2 0 20 0;
#X connect 3 0 4 0;
#X connect 4 0 5 0;
#X connect 5 0 6 0;
#X connect 6 0 7 0;
#X connect 7 0 8 0;
#X connect 8 0 9 0;
#X connect 9 0 10 0;
#X connect 11 0 15 0;
#X connect 12 0 16 0;
#X connect 13 0 17 0;
#X connect 14 0 18 0;
#X connect 15 0 12 0;
#X connect 16 0 13 0;
#X connect 17 0 14 0;
#X connect 19 0 11 0;
#X connect 20 0 3 0;
